I find great poignancy in antique china with hand-painted nature imagery. Such depictions were attempts to re-create nature and to bring it indoors in the form of ornamented domestic objects. Appropriating antique china is a way to express a longing for nature that was once a common part of daily life. Nature thus becomes memorialized as something that was once close at hand and less threatened than it is now. A common theme to all of my work is sustenance. When I appropriate hand-painted antique china in the form of cups and plates, these domestic objects reinforce the concept of sustenance as provided by both nature and by human hands. I am repeatedly drawn to teapot imagery depicted in an aerial perspective. A teapot seen from a conventional view is associated with a cozy and warm refreshment; however, a teapot seen from an aerial perspective becomes a powerful form and represents, for me, the enormous human potential to support life. For me, it is the ultimate peace symbol.